約 4,571,144 件
https://w.atwiki.jp/vocaloidenglishlyric/pages/674.html
【Tags 1 Miku Pan-P t1 tO W】 Original Music title ワンホット・ミニッツ English music title One Hot Minute Romaji music title Wan Hotto Minittsu Music Lyrics written, Voice edited by 般P (Pan-P) Music arranged by 般P (Pan-P) Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by vgboy / vgperson)： As you bawled, you held tight, grabbed to my sleeve. Running mascara dripped off your face, down to the ground. Without you saying a word, somehow, I just knew. If I didn t do well enough... I m sorry. For just one minute, let s reconcile - make the crybaby laugh, and you re a winner Perhaps it s just as those magizines say - no, I guess it s just as you guessed, hey Will you put your chilly little hands in my pocket to warm them up? Or else shall I warm them with mine? Can I hold your hand, perhaps? Even without meeting eye to eye, hand in hand, we ll go the same way Even without meeting back to back, I d say our height is just right Having a fight make for a breakup... it really leaves one with a bad taste And since we re getting near the end, well... let s make haste Please, all I m asking you give me is just a minute of your time Cause for as long as that minute lasts, I m going to hold you tight To make a sad girl laugh, that s the time I invite you to And I ll use this moment now, so I can think about you... Breathing coming out white, we come together; you cried, then you laughed in... to the ether The snow danced down in clumps, blah blah, etceter - ah, for no such reason did we look upward Even without meeting eye to eye, hand in hand, we ll feel the same warmth Even if we don t share pushes and shoves, this yet remains the remains of the hand of our love The people looking on at us, well... they sure don t put me at rest But if I m doing this for you, well... here s my best Please, all I m asking you give me is just a minute of your time Cause while that whole minute lasts, I m going to be holding you tight It really suits you more to smile - you re such a pretty lady, it s true And I ll use this moment, too, use it to think about you... As I saw you taking out your tickets, from behind you looked a bit sad, But I said just the same, see you tomorrow. There s no crybabies left here. You wavered around and waved to me, and I waved too, see you tomorrow. And I watched you go until I couldn t. So long, and see you tomorrow. There were lots of thoughts I wanted to tell you, but I m so glad I could share at least a few. But I know I ll want to hear your voice later, so I ll call you sometime. Well, did I do well enough, I wonder? Yes, that s right, you held to my sleeve, grabbing it tight. And running mascara dripped off your face, staining it. I figured I d tell you that over the phone. And as you laughed, you said... I m sorry. Romaji lyrics (transliterated by vgboy / vgperson)： Kimi ga nakinagara gyutto sode o tsukanda. Toketa masukara ga potari to jimen ni ochita. Kuchi de iwanakute mo nantonaku wakatta. Umaku dekinakattara gomen yo. Ippun dake zenryoku nakanaori naita ko waraeba daishouri Nanka no zasshi no iu toori dewa nai kedo anta no sasshi no toori Tsumetai chiisa na kimi no te o kono pokke ni irete atatamemasu ka? Sore tomo kono te de atatamemasu ka? Te o nigitte ii kana? Me to me o awasenakute mo te to te ga onnaji hou e Sei to sei o awasenakute mo kono takasa ga choudo ii na Kenka wakare wa chotto atoaji ga warui na Saigo gurai wa chotto dakara Ippun dake kimi no toki o boku ni choudai Sono fun dake kimi o tsuyoku dakishimeru kara Naita ko ga warau kono toki ni go-shoutai Kimi o omofu tame ni kono "toki" o tsukau Haku iki ga shiroku mazariai naku kimi ga wara... uso no toki Pararipara yuki ga maiochi(ry sonna wake mo naku sora o miru Me to me o awasenakute mo te to te ga onnaji taion "See no se" o awasenakute mo kore ga bokura no ai no te nandaa Hito no shisen ga chotto ki ni naru kedo naa Kimi no tame nara chotto ganbaru Ippun dake kimi no toki o boku ni choudai Sono fun dake kimi o zutto dakishimeru kara Waratta kao no hou ga kawaii ne o-jousan Kimi o omofu tame ni kono "toki" mo tsukau Kaisatsu o deru senaka ga sukoshi sabisishou dakedo Boku mo onnajisa mata ashita. Naita ko wa mou inai. Furimuku kimi ga te o furi, boku mo furi mata ashita. Mienaku naru made miokuru. Jaa ne, mata ashita. Iitai koto mo ippai atta kedo, sukoshi demo tsutawatteru to ii na. Ato de koe mo kikitai kara denwa de kiite miyou. Boku wa umaku dekita kana? Soiya kimi ga gyutto tsukanda sode ni. Toketa masukara ga potari to sode ni tsuiteta. Sore o denwa koshi ni kimi ni hanashite mitara. Kimi wa warainagara gomen yo. to [Pan-P, PanP]
https://w.atwiki.jp/vocaloidenglishlyric/pages/823.html
【Tags Miku tC yusukeP C】 Original Music title cosmic tones Romaji music title cosmic tones Music Lyrics written, Voice edited by yusukeP Music arranged by yusukeP Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics Romaji lyrics (transliterated by motokokusanagi2009)： tatoeba hikari ga kie te kurayami sekai o ōtte shimau toki wa kami sama to te o tori atte yakusoku shita koto o oshie te kureta mirai o tesagrui tadotte miru nda mugen no uchū eto hate naki kōkai o koe o hibikase te hikari o motome te sukoshi no fuan to kasuka na kibō ga tsubasa o habata kase sekai ga kagayaki dashita kasanaru futatsu no kūkan ga butsukaru sekai wa kawatta hotobashiru netsuryō to umare dashita kasoku do "furi kaeru hima wa nai yo" mezame no koe ga kiko eta tatoe kono koe ga chikara o ushinatte yami ni nomare temo terashi tsuzuke te ite kiko ete imasu ka toi kake tsuzuke te mabushī hikari ni sekai ga kagayaki dashita mugen no uchū eto hate naki kōkai o koe o hibi kase te hikari o motome te sukoshi no fuan to kasuka na kibō ga tsubasa o habata kase chū ni mau yo tatoe kono koe ga chikara o ushinatte yami ni yamare temo terashi tsuzuke te ite kiko ete imasu ka toi kake tsuzuke te mabushī hikari ni sekai ga kagayaki dashita [yusukeP, yusuke-P]
https://w.atwiki.jp/sanishintrpg/pages/51.html
(@yuna_16honmaru) ■所持ルルブ CoC基本ルルブ CoCサプリ―クトゥルフ2010 CoCサプリ―クトゥルフ2015 CoCサプリ―キーパーコンパニオン CoCサプリ―クトゥルフ・フラグメント シノビガミ基本ルルブ マギカロギア1巻 サタスペ基本ルルブ ネクロニカ基本ルルブ N◎VA基本ルルブ インセイン1巻、2巻 キルデスビジネス基本ルルブ ピーカーブー基本ルルブ モノトーンミュージアム基本ルルブ スカイノーツ ダブルクロス3rd基本ルルブ2冊 ■所持シナリオ集 羅生門(CoC) メンダコロスト卓シナリオ集(CoC) Mask of Catastorophe(CoC) 白蝕(CoC) 帝都変態倶楽部(CoC) ヘンリー・アーミティッジの遺産(CoC) 刀紅遊戯～刀剣遊戯台本町～(複数システム) 怪物の手記(刀剣CoC) ■スカイプ環境 割といつでも通話可能です。早朝は場合によってはミュートにしたりするかも。 ■基本的な参加可能時間帯 平日：基本21時～26時まで、金曜は少し遅くまででも。 土日祝：空いていれば基本全日可能です。 ※リアルの都合により来年生活が落ち着くまで新しく卓を入れるのを休止します。 ■PL経験値 CoC：30回以上 シノビガミ：15回以上 マギロギ：2回 サタスペ：3回 ネクロニカ：3回 キルビジ：5回以上 ダブクロ：2回 inSANe：5回 深淵：1回 N◎VA：1回 ピーカーブー：1回 ■KP/GM経験値 CoC：20回以上 シノビガミ：12回 inSANe：2回 ■セッションヒストリーとかキャラシ置き場 ※【ビガミ】のキャラシページで閲覧ボタンを押してしまうと、シナリオのネタバレになってしまいますのでご注意ください。 +先月以前のセッション 20160416 【CoC】審神者が生きている？(KP 北屋さん PL すのさん、はなひらさん、ゆりなさん、ゆなやん) 燭台切光忠 20160429 【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP ゆなやん PL しろたびさん、ぽり姉さん、七尾さん) 20160430 【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP ゆなやん PL きゃのさん、抹茶さん、えこかめらさん) 20160501 【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP ゆなやん PL かしわさん、トム花屋さん、はなひらさん、ささみさん) 20160504 【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP ゆなやん PL きさらぎさん、るんさん、めまいさん) 20160507 【CoC】霧の葬儀屋(KP 抹茶さん PL えこかめらさん、ゆなやん) 浦河虎太郎（浦島虎徹） 20160507 【ウタカゼ】飛び入り大歓迎！ウタカゼ不思議のダンジョン！！(GM 北屋さん PL いっぱい) アイゼン（愛染国俊） 20160508 【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP ゆなやん PL 桃花さん、おんださん) 20160514,15 【ビガミ】宵闇に白の花(GM ほしらさん PL たぬさん、しいろさん、シャエムさん、ゆなやん) 加州清光 20160516,18,19 【ビガミ】洋菓子秘伝刀剣帳(GM 秋乃さん PL どあみさん、しろたびさん、ぽり姉さん、ゆなやん) 大和守安定 とめ吉 20160527 【ビガミ】帰る道は細く、聳える壁は高く-師弟対決(GM：どあみさん PL：しろたびさん、ゆなやん) 創作/椿 20160603 【CoC】瑠璃色絵画(KP ゆりなさん PL えこかめらさん、ゆなやん) 浦河虎太郎（浦島虎徹） 20160604 【ビガミ】虎の威を乞う狐の舞(GM：しろたびさん PL：きゃのさん、抹茶さん、ゆなやん) にっかり青江 20160612,15,23 【ビガミ】黄昏に赤の花(GM ほしらさん PL 抹茶さん、きゃのさん、繭さん、ゆなやん) 大倶利伽羅 20160616 【CoC】とある本丸からの脱出(仮)(KP すのさん PL かしわさん、きさらぎさん、るんさん、ゆなやん) へし切長谷部 20160617 【ビガミ】青雲・壱(GM：しろたびさん PL：ゆなやん) 燭台切光忠 20160618,19 【CoC】羅生門(KP ゆなやん PL 抹茶さん、しいろさん、北屋さん) 20160620 【ビガミ】いざ尋常に！手合わせ一本勝負(GM ゆなやん PL かしわさん) へし切長谷部 20160624 【ビガミ】穿かないで-ぱんつビガミ(GM：ぶたにくさん PL：たぬさん、ゆなやん) 鶴丸国永 20160625 【ビガミ】想い、想われ、すれ違う(GM：ゆなやん PL：きゃのさん、しろたびさん) 20160627,28 【ビガミ】想い、想われ、すれ違う(GM：ゆなやん PL：抹茶さん、かしわさん) 20160701 【ビガミ】出口なし(GM：ほしらさん PL：しろたびさん、ゆなやん) 影野鈴蘭 20160702 【CoC】思草-大正CoC 七月二日発車組(KP はなひらさん PL 抹茶さん、ゆなやん) 薄羽緑(膝丸) 20160708 【CoC】薔薇の館(KP 抹茶 PL えこかめらさん、ささみさん、ゆなやん) 独眼竜✞Mitsutada✞ 20160709 【CoC】六道の辻に迷うなよ(KP ねこのすけさん PL ゆなやん) 鶴丸国永 20160711,13 【ビガミ】中忍試験（GM どあみさん PL えこかめらさん、ぽり姉さん、灰色さん、ゆなやん） 松野紫苑 20160715 【CoC】■の哭く夜(KP：すのさん PL：しいろさん、しろたびさん、ゆなやん) 獅子王 20160717,27 【CoC】神話と化学(KP：抹茶 PL：ささみさん、えこかめらさん、とこさん、ゆなやん) 骨喰藤四郎(骨喰藤四郎) 20160722,23,25【ビガミ】小夜三昧(GM：ぽり姉さん PL：しげるさん、かしわさん、しろたびさん、ゆなやん) 小夜左文字 20160724 【マギロギ】グッナイマイディア（GM 酒井さん PL 灰色さん、るんさん、はなひらさん、ゆなやん） 膝丸 20160730 【CoC】六道の辻に迷うなよ(KP ゆなやん PL 抹茶さん) 20160731 【CoC】某部屋(KP 抹茶さん PL きゃのさん、ゆなやん) 五条鶴丸(鶴丸国永) 20160705,6,7,8,16,19 【ビガミ】清庭にて刀は舞う(GM：秋乃さん PL たぬさん、かしわさん、とこさん、ゆなやん) 三日月宗近 20160809 【CoC】レッツゴー七不思議チャレンジ(KP：しろたびさん PL：たぬさん、ゆなやん) 野木薫 20160810 【ビガミ】孤城の主(GM：ほしらさん PL：きゃのさん、ゆなやん) 創作/天城薫 20160820,29 【CoC】九頭竜古書堂の事件簿-大正CoC 大正シラノ刀卓(KP えこかめらさん PL 抹茶さん、ささみさん、ゆなやん) 薄羽緑(膝丸) 20160826 【CoC】某部屋ハードモード(KP 抹茶さん PL きゃのさん、ゆなやん) 五条鶴丸(鶴丸国永) 20160828 【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP ゆなやん PL 次郎さん、ひなたさん、とこさん、繭さん) 20160902 【CoC】紅の檻(KP しろたびさん PL ゆなやん) 創作/柳葉圭介 20160902 【CoC】瑠璃色絵画(KP ゆなやん PL：秋乃さん、しろたびさん) 20160904 【CoC】はぐれ本丸(KP 灰色さん SKP えこかめらさん PL かしわさん、さぶろうさん、七尾さん、ゆなやん) 大倶利伽羅 20160913 【CoC】暗夜の灯火(KP すのさん PL 抹茶さん、しいろさん、しろたびさん、ゆなやん) 乱藤四郎 20160917 【CoC】特製チョコ(KP 露雨さん PL ゆなやん) 泉野雅兼(和泉守兼定) 20160918 【CoC】地獄の手(KP かしわちゃん PL しいろさん、とこさん、さぶろうさん、ゆなやん) 獅子王 20160919 【CoC】咎送りの徒花(KP しいろさん PL ゆなやん) 加川清満(加州清光) 20160922 【CoC】Call Of Ofuton (KP：しろたびさん PL：抹茶さん、ゆなやん) 創作/ルマンド・サラジャニ 20160922 【CoC】ある夏の祭りの日に(KP：きゃのさん PL：抹茶さん、しろたびさん、ゆなやん) 創作/ルマンド・サラジャニ 20160925 【CoC】白夜の歌(KP 灰色 PL りょうさん、さらしなさん、じろうさん、とこさん、ゆなやん) 創作/冬宮八重 20160926,27 【CoC】彼は誰のまほろばか(KP しろたびさん PL ゆなやん) 浅野十夜 20160929 【CoC】ソロモン・グランディの月曜日(KP ゆなやん PL しいろさん) 20160930,1002,08【CoC】泡沫の夢ー澪の記憶ー(KP：抹茶さん PL：えこかめらさん、ささみさん、ゆなやん) 二雁青江(にっかり青江) 20161009【ビガミ】いざ尋常に！手合わせ一本勝負(GM ゆなやん PL ささみさん、えこかめらさん) 20161009【CoC】ありふれた日常の中に(KP：ゆなやん PL：ささみさん、えこかめらさん、抹茶さん) 20161011,12,13【ビガミ】いざ尋常に！手合わせ一本勝負(GM ゆなやん PL はなひらさん) 鶴丸国永 20161015【ビガミ】想い、想われ、すれ違う(GM ゆなやん PL はなひらさん) 鶴丸国永 20161018【CoC】心の軋むとき(KP：かしわさん PL：ゆなやん) 泉野雅兼(和泉守兼定) 20161018【CoC】瑠璃色絵画(KP：ゆなやん PL：かしわさん) 20161021【ビガミ】いざ尋常に！手合わせ一本勝負(GM ゆなやん PL 露雨さん、灰色さん) 20161022,23【ビガミ】ハッピーハロウィン！秋の夜長の廃本丸！～審神者の部屋の不気味な影(GM：ぶたにくさん PL：あきのさん、きゃのさん、酒井さん、ゆなやん) 大倶利伽羅 20161027【CoC】おれがあいつであいつがあの子(KP：すのさん PL：ゆりなさん、どあみさん、ゆなやん) 御手杵 20161101,02【ビガミ】首筋に刃(GM：ほしらさん PL：hibiさん、ゆなやん) 鶴丸国永 20161104,05【CoC】ソロモン・グランディの月曜日(KP：ゆなやん PL：ぶたにくさん) 20161111,12【CoC】ソロモン・グランディの月曜日(KP ゆなやん PL 抹茶さん) 20161118【CoC】赤い月(KP：ゆなやん PL：抹茶さん、きゃのさん) 20161120【CoC】ソロモン・グランディの月曜日(KP ゆなやん PL しろたびさん) 20161122,24,25【CoC】ラズベリージャム(KP ねこのすけさん PL カコさん、露雨さん、きさらぎさん、しいろさん、ゆなやん) 真野杏/創作 20161129【CoC】ねこの小道(KP：はなひらさん PL：ゆなやん) 泉野雅兼(和泉守兼定) 20161115,16,23,30【ビガミ】楽園ビガミ(GM：どあみさん PL：あきのさん、ぽり姉さん、しろたびさん、ゆなやん) 葉野百合子 20161201,02【inSANe】おもちゃ箱(GM：しろたびさん PL：とこさん、ゆなやん) 堀川兼定(和泉守兼定) 20161203,04【CoC】ソロモン・グランディの月曜日(KP：ゆなやん PL：かしわさん) 20161206,07【inSANe】現の盃(GM：しろたびさん PL：とこさん、ゆなやん) 藤野霞/創作 20161208【ビガミ】お菓子争奪戦！～負けられないこの戦い～(KP：ゆなやん PL：ろろさん、じろうさん) 20161210,11【CoC】ソロモン・グランディの月曜日(KP：ゆなやん PL：きゃのさん) 20161220,22【CoC】走馬灯図書館(KP：はなひらさん PL：ゆなやん) 来宮蛍(蛍丸) 20161223【CoC】遠い旅路、永い夢(KP すのさん PL ゆなやん) 加州清光 20161224【CoC】ある冬の祭りの日に(ある夏の祭りの日に微改変ver.)(KP：ゆなやん PL：るんさん、えこかめらさん、トム花屋さん) 20161225【CoC】機械仕掛けの街(KP かしわさん PL ゆなやん) 兼元歌也(歌仙兼定) 20170102【CoC】絶対に死んではいけない万屋24時(KP 抹茶さん PL ささみさん、えこかめらさん、ゆなやん) クー・フーリン・ギネタ（槍）(御手杵） 20170115【DX3】World End Juvenile(GM：ほしらさん PL：繭さん、しろたびさん、どあみさん、ゆなやん) 宝城真尋/創作 20170113,17【ビガミ】出口なしⅡ(GM：どあみさん PL：しろたびさん、ゆなやん) 胡蝶/創作 20170120【CoC】四季の涙(KP：青犬さん PL：すのさん、トムさん、ゆなやん) 真野杏/創作 20170121【CoC】最果てのレイル(KP：めのさん PL：とこさん、ゆなやん) 沖田清光(加州清光) 20170122【CoC】幸福な悪夢の夜(KP：じろうさん PL：しろたびさん、ゆなやん) 冬宮枝垂/創作 20170123,24【ビガミ】いざ尋常に！手合わせ一本勝負(GM ゆなやん PL とこさん、おんださん) 20170126,27【ビガミ】穿かないで-ぱんつビガミ(GM：ゆなやん PL：露雨さん、えこかめらさん) 20170128,29,0201,03【ビガミ】夢のようなひび(GM：どあみさん PL：しいろさん、抹茶さん、ゆなやん) 星河蛍/創作 20170202,04【CoC】平行線のアポフィライト(KP はなひらさん PL しいろさん、ゆなやん) 源翠(膝丸) 20170212【CoC】嗤う男たち(KP：かしわさん PL：りょうさん、ゆりなさん、ゆなやん) 大岡越前春人/創作 20170214,16【CoC】あなたの花の色は(KP：りょうさん PL：ゆなやん) 太鼓鐘貞宗 20170219【CoC】4番線2時19分発(KP：きゃのさん PL：ゆなやん) 泉野雅兼(和泉守兼定) 20170223,24【ビガミ】いざ尋常に！手合わせ一本勝負(GM ゆなやん PL 七尾さん) 日本号 20172028,3001【CoC】8月32日(KP ゆなやん PL じろうさん) 20170302,03【CoC】memento mori(KP：ゆりなさん PL：カコさん、きさらぎさん、ゆなやん) 灰野流夏/創作 20170227,0304【深淵】罪の庭(GM：すのさん PL：えこかめらさん、きさむさん、七尾さん、ゆなやん) 陸奥守吉行 20170307【CoC】染まりゆく黒(KP：すのさん PL：りょうさん、ゆりなさん、ゆなやん) 河島明和/創作 20170309【inSANe】メリーゴーランドは終わらない(GM：ゆなやん PL：どあみさん、しろたびさん) 20170311【マギロギ】オルペウス・タイポロジー(GM：ひびさん PL：きゃのさん、ゆなやん) 大和守安定 20170308,15【inSANe】room-0-(GM：しろたびさん PL：きゃのさん、ゆなやん) 竜胆国永(鶴丸国永) 20170317【CoC】真夜中のサルーテ(KP：しいろさん PL：ゆなやん) 源翠(膝丸) 20170319【N◎VA】BREAKPEACE！(GM：ぶたにくさん サブGM：きゃのさん PL：しろたびさん、ゆなやん) 膝丸 20170322,23【inSANe】Room-0-another(GM：しろたびさん PL：きゃのさん、ゆなやん) 竜胆国永(鶴丸国永) 20170325【CoC】嗤う狐の悪魔祓い(KP：とこさん PL：すわろさん、ゆなやん) 大和守安定 20170326【CoC】羅生門(KP：ゆなやん PL：かしわさん、すのさん、あきのさん) 20170328,29【ビガミ】解いた手には、裏切りの刃(GM：ゆなやん PL：どあみさん、しろたびさん) 20170401,02,03【CoC】或る孤独の結末(KP ねこのすけさん PL ゆなやん) 鶴丸国永 20170407【CoC】8月32日(KP：ゆなやん PL：すのさん) 20170409【inSANe】その花は緋色に揺れて(GM：抹茶さん サブGM：ゆなやん PL：しろたびさん、すのさん) 20170413【ビガミ】想い、想われ、すれ違う(GM：ゆなやん PL：どあみさん、あきのさん) 20170429【ビガミ】うつりゆくもの(GM：しろたびさん PL：ゆなやん) 椿 20170416,20,22,0502【CoC】暁に送る、きみの名を。(GM：抹茶さん PL：えこかめらさん、ささみさん、ゆなやん) 二雁青江(にっかり青江) 20170505【CoC】8月32日(KP：ゆなやん PL：ささみさん) 20170519【CoC】8月32日(KP：ゆなやん PL：しろたびさん) 20170521【CoC】8月32日(KP：ゆなやん PL：すわろさん) 20170524,27【CoC】8月32日(KP：ゆなやん PL：塩さん) 20170528【ビガミ】解いた手には、裏切りの刃(GM：ゆなやん PL：抹茶さん、しいろさん) 20170530,0601【CoC】8月32日(KP：ゆなやん PL：抹茶さん) 20170603【inSANe】はじめての女装(GM：しろたびさん PL：ゆなやん) 粟田口薬研(薬研藤四郎) 20170603【inSANe】故郷(GM：ゆなやん PL：しろたびさん) 20170604【CoC】Hand in Hand(KP：カコさん PL：ゆなやん) 河島睦月/創作 20170607,08【CoC】8月32日(KP：ゆなやん PL：桃花さん) 20170609【ビガミ】穿かないで-ぱんつビガミ(GM：ゆなやん PL：すわろさん、ささみさん) 20170611,14【CoC】九頭竜古書堂の事件簿Re ～身代わり羊は＊＊の夢を見るか？≪大正版≫(KP：えこかめらさん PL：抹茶さん、ささみさん、ゆなやん) 薄羽緑(膝丸) 20170614,16【ビガミ】解いた手には、裏切りの刃(GM：ゆなやん PL：桃花さん、畑さん) 20170617【CoC】もういいかい？まあだだよ！-かくれんぼCoC(KP：ゆなやん PL：あきのさん、たぬさん、すわろさん) 20170615,21【ピーカーブー】(GM：ほしらさん PL：えこかめらさん、繭さん、七尾さん、ゆなやん) 坂本むつ(陸奥守吉行) 20170624【CoC】幸せに抱かれる君に(KP：ゆなやん PL：抹茶さん) 20170625【CoC】鋼の絆―蒼刻、深紅に染まりてー(KP：抹茶さん PL：ゆなやん) 大和守安定 20170622,26,28,29【CoC】穴あき空の旅(KP：ねこのすけさん PL：きゃのさん、ひなたさん、ゆなやん) 野木菖蒲/創作 20170627,0705【ビガミ】B・L・H♡浪漫はどれだ！？桃色桃源郷～最低最悪のガチ・バトロワ決定戦！！～(GM：抹茶さん PL：えこかめらさん、ささみさん、ゆなやん) 一期一振 20170706【CoC】湯けむりと釣り堀と(KP：ささみさん PL：えこかめらさん、抹茶、ゆなやん) 二雁青江(にっかり青江) 20170707,08【CoC】六道の辻に迷うなよ(KP：ゆなやん PL：とこさん) 20170722【CoC】真夜中のサルーテ(KP：ゆなやん PL：抹茶さん) +多分回せるシナリオ群 【CoC】 ある夏の祭りの日に(3分間CoC) ありふれた日常の中に(3分間CoC) 瑠璃色絵画 Call Of Ofuton 毒入りスープ B B みかん箱 ロッカー 霧の葬儀屋 紅の檻 着信アリ 水没電車 罪の身代わり 注文も多い料理店 メランコリー・キッチン 紙の檻 薔薇の館 もう寝なさい バスルームの真相 正気の街 咎送りの徒花 君におはようと言えたら 雪山密室 沼男は誰だ？ もういいかい？まあだだよ-短刀CoC★ 心の軋むとき おれがあいつであいつがあの子 ねこの小道 走馬灯図書館 機械仕掛けの街 生きられない 最果てのレイル 幸福な悪夢の夜 平行線のアポフィライト 4番線2時19分発 るびちくらかちのい 真夜中のサルーテ どうか、花束をそなえてやってください 【CoC(シナリオ集)】 羅生門 テンペスト 冬薔薇に捧ぐ Halloween town エリーゼのために。 温泉卵を作ろうとしたらゆで卵が完成した。 四季の涙 嗤う男たち ラズベリージャム 8月32日 六道の辻に迷うなよ 或る孤独の結末 memento mori 穴あき空の旅 Dioism 【ビガミ】 聳える壁は高く、帰る道は細く-師弟対決(2人用対立型) 出口なし(2人用対立型、タイマン可能) 出口なしⅡ(2人用対立型、タイマン可能) 穿かないで-ぱんつビガミ(2人用対立型) 夢のようなひび(3人用特殊型) いざ尋常に！手合わせ一本勝負(2人用対立型、タイマン可能)★ 【inSANe】 メリーゴーランドは終わらない(2人用協力型、3サイクル) 故郷(1人用、6サイクル) はじめての女装(1人用、3サイクル) 現の盃(2人用特殊型、3サイクル) Room-0-/another(2人用特殊型、4サイクル) ★...オリジナルシナリオ ＝＝＝＝＝＝＝＝＝＝＝＝＝＝＝
https://w.atwiki.jp/vocaloidenglishlyric/pages/881.html
【Tags AVTechNO Luka N t9 tN 9】 Original Music title 9 English music title Nine Romaji music title 9 Music Lyrics written, Voice edited by AVTechNO Music arranged by AVTechNO Singer(s) 巡音ルカ (Megurine Luka) The song is paired with "6". Click here for the original Japanese Lyrics Romaji lyrics (transliterated by motokokusanagi2009)： fināre kara sutāto shite iku ze! mō...hajike jūbun! risuto wa ira nai "tekīra rasuto" ja nori kire nai... beta bumi max ni shite borutēji takamero yo! dedashi kara aizuchi kamasu nayo omae no hon ne dake o kikasete miro gasuketsu nara "sore made no koto" dato shippo mai te buraindo shime te nero yo! jibun o kuri age te miyō ze sore ga nain sutairu ikasama yarō no yatsura towa... chigau nda ze! ze ga hi ni demo ichido wa ajiwatte morai tamesa nai yatsu ni supiritasu kurawase te yatte bero bero ni natta jōtai de ima ichido toi tadashi te miyō ze "jaki no nai kotoba" sae ie nai yatsu ni "nain" no sutairu wa rikai deki nai seken kara mireba "ore tachi" ga ikare te iru yōni shika mie nai nja nai no??? rokotsu na minari o suru yori mo seji banashi no hō ga hazukashī to kanjiru nosa hadaketa seikaku no yatsura moshiku wa... interu tteru yatsura ja nakya "nain"nante rikai deki nai ze ga hi ni demo ichido wa ajiwatte morai tamesa nai yatsu ni spiritasu kurawase te yatte bero bero ni natta jōtai de ima ichido toi tadashi te miyō ze "jaki no nai kotoba" sae ie nai yatsu ni "nain" no sutairu wa rikai deki nai seken kara mireba "ore tachi" ga ikare te iru yōni shika mie nai nja nai ka??? ja ja nai no? ja nai ka? ∞∞∞∞... []
https://w.atwiki.jp/vocaloidenglishlyric/pages/275.html
【Tags A Luka Shurashushushu hanzo tM Miku】 Original Music Title 合鍵ガンマンと合鍵忍者 Masterkey Gunman and Masterkey Ninja (Aikagi Ganman to Aikagi Ninja) Lyrics written by シュラ種種種(Shurashushushu) Music written by hanzo Music arranged by hanzo Singers 初音ミク (Hatsune Miku), 巡音ルカ (Megurine Luka) Click here for the original Japanese Lyrics English Lyrics (translated by Kanannon)： The second... ah, the second.. The second lulululu... The second... ah, the second door... The second lulululu... Echoing accross the barren land, the melody of the horseshoe Cutting across the wind and appearing the Masterkey Gunman Fading in the darkness and hiding myself The bearer of 108 Ninjutsu techniques With an extreme fear of heights but a nice attitude She s the Masterkey Ninja A giant door stands in our won way and anxiety covers the area If we don t open the door there s no tomorrow. To my love ones back at home... I m sorry~ The second door won t open, even though the first one opened easily. Pushing it and pulling it won t make it budge. The second is like an immovable buddha. The second door won t open, even though the first one opened easily. It doesn t slide open like the first one this second door. Let s try solving this quietly by using the power of the administration Let s try sending application to the governmental office so they can open the door... By letter.... The second door won t open, even though the first one opened easily. Pushing it and pulling it won t make it budge. The second is like an immovable buddha. The second door won t open, even though we sent an application in On the application is a careless mistake, "You stamped the wrong spot" Frustration was building so we let it out at the bartender We splashed ketchup on his apron Ah, on the bartender s... most expensive clothing When we passed the limit of our anger and sorrow, a tear of Catharsis flowed out. It slid between the cracks of the doors and stimulated them, a salad oil-like lubricant The second door made a noise and shined in a few centimeters of light On the otherside of the second door was lululululu..... The second door made a noise and a bright line came shining in We opened the second door... There was a giant screen stretched across Nice, we could stay cool over the summer! Romaji lyrics (transliterated by haru47)： ni-mai-me no ah ni-mai-me no ni-mai-me no rurururu... ah ni-mai-me no ah ni-mai-me no ni-mai-me no tobira sa... kouya ni kodamasuru hidume no senritsu kaze o kitte araware ta aikagi ganman sa yami ni toke konde mi o kakusu hyaku-yattsu no ninjutsu-tsukai takai toko nigateda ga ohitoyoshi aikagi ninja sa yukute o habamu ookina tobira kuroku tachikomeru fuan tobira ga hiraka nakya asu wa nai sato ni nokoshi ta fuyoukazoku tachi... go-me-n-ne ni-mai-me no tobira ga hiraka nai ichi-mai-me wa an nani assari ai ta no ni oshi temo hii temo douji nai fudou-myouou no gotoshi sa ni-mai-me wa ni-mai-me no tobira ga hiraka nai ichi-mai-me wa sutto a itanoni fusuma mitaini suraido ga deki nai tobira nano sa ni-mai-me wa koto o aradate zu ni osame you gyousei no chikara de yakusho ni shinseishi te miyou tobira o a ke te morau tetsuzuki o ... sho-men-de ni-mai-me no tobira ga hiraka nai ichi-mai-me wa an nani assari ai ta no ni oshi temo hii temo douji nai fudou-myouou no gotoshi sa ni-mai-me wa ni-mai-me no tobira ga hiraka nai yakusho ni shinsei dashi ta no ni shorui ni mira re ta kearesumisu 「inkan osu basho chigai masu」 yariba no ani ikari oabe ta kara sakaba no masuta- ni yatsuatari epuron ni kechappu o tsuke tatta sakaba no masuta- no itt-chou-ra ikari to kanashimi koe ta toki nagare ochi ta katarushisu no namida tobira no kamiawase o shigekisuru sarada-abura no youna junkatsuyu ni-mai-me no tobira ga oto o tate te suu-senchi no hikari o sashi kometa ni-mai-me no tobira no向kouni wa rurururu... ni-mai-me no tobira ga oto o tate te mabayui hikari o sashi kometa ni-mai-me no tobira o hirai tara... amido ga shikkari hatte ita sokka kore nara natsuba mo suzushiku sugo se ru ne!
https://w.atwiki.jp/vocaloidenglishlyric/pages/1157.html
【Tags C Miku doriko tC K】 Original Music title キャットフード English music title Cat Food Romaji music title Kyatto Fuudo Music Lyrics written, Voice edited by doriko Music arranged by doriko Singer(s) 初音ミク (Hatsune Miku) Click here for the original Japanese Lyrics English Lyrics (translated by animeyay)： I ve dressed myself beautifully today, so please, let me stay dry. As I gaze up, please don t rain on me; what an unexpected rainy evening this is. I feel cold. I hate water. Please wipe me dry, with your hands. But just why are you not here when I need you the most? I need love, and to stay by you, on your lap. I, my, me, mine. I aim straight ahead, for "you", my sunshine. Yes, I am a moody lady. Yet, you are still nowhere to be found. Tears? No, I say these are raindrops. This freezing weather s monochrome makes me feel lonely, so quickly find me, open your umbrella, and say "I m sorry." As the sunny weather turns rainy, I take shelter under a roof, where a flower has bloomed. This all seems like a dream, lalala... That boy always has his ears folded, and can never hear my complains. Please, lend me your ears just this time, and don t scold me, my nagging darling. I don t like your angry face. I don t like your smiling face, either. You re not quite my type to begin with, but please love me. You need friendship. It s important to feel that way. You live for me. I aim straight for your heart. Being honest and frank is a form of selfishness. Please, since I m a lady loved by you, forgive me, as I honestly didn t do anything wrong. The one not to your liking is yours truly here, with an identity mixed with tenderness and fuss. I can t bring myself to say it, so don t expect a "sorry" from me. If you already have "that" in your heart, then even when I don t express love or affection in words, you should still understand, right? If there s delicious food, I ll let you live with me. If there re funny TV programs, I ll let you watch with me. If there s a warm bed, I ll let you sleep with me. Besides all that, what else do you need? I ll gladly ask. I want to play the spoiled child from time to time. Please take me in, a lady of yearning. Yet, you still don t understand my feelings. I guess any love will eventually cool down. Maybe this is goodbye then, with my eyes teary? But as the door is opened, there you are, saying to me, "Another rainy day, huh?" If the rain is not stopping, then I wish to take shelter with you under the same roof, forever and ever, lalala... I say meow! Right by your side. I say meow! In your arms. I say meow! Why am I still unable to utter even your name right? Romaji lyrics (transliterated by animeyay)： kirei ni kyou mo kimechatte dakara ne nurasanaide miageta kao ni kakenaide totsuzen no yuugureinii samui wa mizu wa kirai yo nugutte anata no te de doushite kanjin na toki ni inai hito na no I need aijou anata no soba hiza no ue I my me mine watashi wa masshigura "anata" tte hidamari mezashi sou watashi wa kimagureidii nanoni anata wa doko ni mo i ya shinai ya namida tte kore wa ame desho samuzora no monokuronrii hayaku mitsukete "gomen ne" to kasa o hirogete hare nochi amayadori ima hanasaku hitotsu yane no shita de yume no naka lalala... orete ru ano ko no mimi kogoto mo kikoenai tte onegai ima dake kashite shikaranaide gudagudaarin okotta kao wa kirai yo waratta kao mo kirai yo somosomo konomi ja nai no demo aishite You need yuuai sou iu kimochi ga daiji You live for me kokoro ni masshigura sunao tte wagamama no koto nee anata ni aisareidii dakara yurushite watashi wa warukunai ya "kobinai" ga watashi jishin yasashisa to semegiaidii koe ni dasenai "gomen ne" o kitai shinaide kokoro ni "sore" ga aru nara kotoba de ai da no koi da no to ka iwazu to mo wakaru hazu desho oishii gohan ga aru nara issho ni sunde agemashou waraeru terebi ga aru nara issho ni mite agemashou atatakai nedoko ga aru nara issho ni nete agemashou sore ijou nani o nozomu no kiite agemashou tamani wa amaetai no yo uketomete akogareidii nanoni anata wa watashi o wakatte nai yo koi datte itsuka sameru wa sayonara ne namidameibii doa o akereba soko ni hirogaru "kyou mo ame" yamanai ame ga furu nara kono mama hitotsu yane no shita de itsu made mo lalala... I say nya-o anata no soba de I say nya-o anata no ude de I say nya-o anata no namae sae doushite umaku ienai no ka na []
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http //www.richiekotzen.com/ http //www.myspace.com/richiekotzen member WILSON HAWK, ex-MR. BIG, ex-POISON MusicPeace Sign Change DVDLive in Japan 2015 ( WOWOW ) Live In Rio, Brazil September 29th 2007 SMITH/KOTZEN / Smith/Kotzen ( 2021.3 ) V.A. japan tribute / SIAM SHADE Tribute ( 2010.10 ) POISON / The Best of POISON 20 Years Of Rock ( 2006年4月3日 ) Music Peace Sign September 9th 2009 ( HD ) 1. My Messiah / 2. Paying Dues / 3. Best Of Times / 4. Lie To Me / 5. Peace Sign / 6. We re All Famous / 7. You Got Me / 8. Long Way From Home / 9. Catch Up To Me / 10. Your Entertainer / 11. Larger Than Life / 12.Holding On Change March 19th 2003 1. Forever One / 2. Get A Life / 3. Change / 4. Don t Ask / 5. Deeper ( Into You ) / 6. High / 7. Am I Dreamin / 8. Shine [ acoustic version ] / 9. Good For Me / 10. Fast Money Fast Cars / 11. Unity [ Jazz Bee Bop Instrumental ] / 12. Out Take [ japan bonus track ] Pat Torpey drums ( #6, #12 )、Billy Sheehan bass ( #12 )、Charlie Sarti ( #10 ) produced by Richie Kotzen DVD Live in Japan 2015 ( WOWOW ) 【 D/W 】[ N ] Live @ Akasaka Blitz, Tokyo Feb. 2, 2015 War PaintLove Is BlindBad Situation CannibalsWalk With MeFear Doing What The Devil Says To DoPeace SignHelp Me RememberFooled AgainYou Can’t Save Me http //www.wowow.co.jp/pg_info/detail/106645/ Live In Rio, Brazil September 29th 2007 1. Go Faster / 2. Losin My Mind / 3. A Love Divine / 4. Fooled Again / 5. Faith / 6. So Cold / 7. Until You Suffer Some ( Fire And Ice ) / 8. Don t Ask / 9. Change / 10. High / 11. Remember / 12. Shapes Of Things / 13. You Can t Save Me / 14. Doin What The Devil Says To Do
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raktefl /// / 超過引き出し、借り越し rak\tefl \ 16 seren klel \
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How to Draw HANDS - Details for Realistic Hands! 手の描き方 - 写実的な手のための細部 https //www.youtube.com/watch?v=a4qR2J5EL9M http //www.proko.com/how-to-draw-hands-details-for-realistic-hands/ Hey, you made it to Part 2 of the Proko Hand Drawing Master Superclass of Glory and..Awesome. こんにちは。 皆さんは栄光ある最高のProko手の描き方教室に進みました。 In previous lessons I covered the bones, muscles and tendons of the hand. 前回のレッスンでは、私は、 手の骨と筋肉と腱について触れました。 But even knowing all that anatomy is not enough. しかし解剖学について理解しているだけでは十分ではありません。 The hand has lots of layers and details that we ll cover in this lesson. 手は、このレッスンでカバーする たくさんの層と細部を持っています。 This will help us get a more realistic result. それがより現実的な表現の助けになります。 Fingernails can define the perspective. 指の爪は、透視図法を定義付けます。 Skin folds can create realism and enhance the gesture. 皮膚の折り目は、リアリズムを作り出しとジェスチャーを高めます。 Fat pads are soft and squishy and they react to the hand s movements. 脂肪体は柔らかく それらは手の動きを反映させます。 So, let s learn the surface details of the hand and how to use them. では、手の表面の細部とそれらをどう使うかを学びましょう。 Fat 脂肪 Let s start with the fat. 脂肪から始めましょう。 There are numerous fat pads along the palm side of the hand. 手のひら側に沿って、たくさんの脂肪体が存在します。 These pads are soft, round, and add thickness to the hand. それらの詰め物は柔らかく丸みを帯び、手に厚みを与えています。 They cushion your bones so they aren t grinding into everything you touch. それらの脂肪は皆さんの骨を衝撃からやわらげていますので、 皆さんが触れるものを骨ですりつぶしたりはしません。 Their malleability helps the hand get a good grip on stuff. 脂肪の詰め物の柔軟さによって 物をつかみやすくなっています。 Fat covers pretty much the whole palm, but it s not an even distribution. 脂肪は、手のひら全体の大部分を覆っていますが、 しかし、均等に分布してはいません。 There are three key fat pads on the palm. 三つの鍵となる手のひらの脂肪体があります。 Two sit on top of the muscle masses, and blend out their inner edges. 二つは、筋肉の量感のてっぺんに位置しており、 筋肉の内側の境界線をなめらかにならしています。 With the addition of this horizontal pad at the base of the fingers, we get a donut. 指の付け根にこの水平の詰め物が加えられたことで、 ドーナッツのようになっています。 A weird square donut with a triangular hole. 三角形の穴の開いた四角形の変わったドーナッツです。 Ok, bad analogy.. あまりいい例えでは無いかもしれませんね。 Anyway, there s an indent in the center of your palm, which is helpful for gripping stuff and grabbing a soda. ともかく、皆さんの手のひらの中央にくぼみがありますが、 物やソーダを掴むのに役立ちます。 !--ここから有料-- !--ここまで-- (Punyesh Kumarの質問 私は小枝のようなものではなく肉付きの良い指を描くことに 苦労しています) If you want to draw more interesting fingers, this part s for you! もし、皆さんがより興味深い指を描きたいと思っているのなら、 このパートはそんな皆さんのためのものです！ First, a hot tip for drawing the overall shape of the finger contrast straight lines and curved lines. 最初に、 指全体の形を描くためのアツいコツです。 まっすぐな線と曲線の対比です。 Your fingers are cushioned by soft fat pads on the palm side, so draw this side with convex curves and soft forms that pinch when the knuckles flex. 皆さんの指は、手のひら側に於いて 脂肪の詰め物によって柔らかくなっています。 ですので、手のひら側では ナックルが屈曲する時ぎゅっと縮むような 凸型でやわらかな形を描きましょう。 The dorsal side is just bone and tendon. 背面は、単に骨と腱です。 Use straight lines, flatter planes and sharper corners to represent the hard bones. 硬い骨を表現するために、 直線、平らな面、鋭い角を使いましょう。 Just by contrasting straights and curves, even a simple cartoon can explain the anatomy of the hand. 単に直線と曲線を対比するだけで、 素朴な漫画絵でさえも手を解剖学的に描くことができます。 !--ここから有料-- !--ここまで-- In a straight finger, the fat pads on the palm side are stretched out and not as curvy. まっすぐに伸ばした指に於いては、 手のひら側の脂肪の詰め物は、 伸ばされそれほどカーブを描いてはいません。 Yet the skin on the knuckles is compressed and has a lot of wrinkles. 一方でナックルの皮膚は圧縮され多くの皺が発生しています。 When the fingers bend, the fat pads on the palm side compress and get really curvy. 指を曲げたとき、 手のひら側の脂肪の詰め物は圧縮されとても曲線的になります。 Notice how the creases point in the direction of the knuckle. この時皺がナックルの方を指していることに注目してください。 The skin on the knuckles stretches and reveals the boney structures underneath. ナックルの上の皮膚は延ばされ、 下層にある骨の構造があらわになります。 Now, let s really look at those fat pads. さて、これらの脂肪の詰め物を真剣に見てください。 Each finger segment has a unique shape. 個々の指の区切りはそれぞれ個別の形を持っています。 In general, you don t want to draw the same kind of shape over and over again. 一般的に、 皆さんは、同じ形のものを何回も何回も描きたくはないでしょう。 It doesn t look organic and interesting like the human body should; it looks artificial and fake. 同じ形の連なりを描いてしまうのは 生物らしくなく、人体のあるべき形ほどには面白くありません。 それは人工的で嘘っぽく見えてしまいます。 So, we want to find the nuanced differences between the finger joints, and take advantage of it in our drawings. ですので、我々は、指の関節同士の微妙な違いを見つけたいし、 それを我々のドローイングに上手く活かしたいわけです。 I m starting with the gesture of the finger. 私は、まず指のジェスチャーから始めます。 A subtle s-curve that tapers thinner towards the tip. 先端に向かって先細りになるわずかなSカーブです。 The proximal segment is the roundest and you can draw it just like that, with a pot belly. 身体に近いほうの区切りは最も丸みを帯び、 皆さんは単に、太鼓腹のように描くことができます。 The middle section is the flattest of the three, so we can draw it a bit straighter. 真ん中の区切りは、三つの区切りの中に於いて最も平らであり、 ですので我々はいくらかまっすぐに描くことができます。 Imagine you ve got three people you have to fit in the back of a car. 車の後部座席に三人の人物を座らせることを想像してみてください。 The middle guy is gonna get squished, so you want someone skinny who can make room for the others. 真ん中の人物は押しつぶされます。 ですので、ほかの人物の座る余地のためにやせた人物が欲しくなるでしょう。 The fingertip is upswept, and we can draw it like a wedge shape. 指先は上向きに反っており、 楔形のように描くことができます。 You might even see an upward angle on the top plane as if the joint is bending back a bit. 皆さんは、あたかも関節が後ろに反ったような てっぺんの平面の上向きの角度を見ることがあるかもしれません。 The thumb is an exaggerated version of the upward facing wedge shape. 親指は、上向きの楔形の誇張されたバージョンです。 Steve Huston shows it as a dog head. Steve Hustonはこれを犬の頭として表現しました。 !--ここから有料-- !--ここまで-- Skin creases and folds 皮膚の皺とひだ Which brings us to the skin creases and folds. これらのことが我々を皮膚の皺とひだに導きました。 Imagine a piece of paper; when you bend it, you can straighten it out later, but there s still a fold marked on the page. 一枚の紙を想像してみてください。 それを折り曲げ、その後再びまっすぐにしたとします。 しかし、表面には折り目が残ったままです。 The creases on the hand and wrist tell you its history, and where it bends. 手と手首の皺は、皆さんにその歴史と曲がる位置を教えてくれます。 Most joints on your body have corresponding creases. 皆さんの体のほとんどの関節は、対応する皺を持っています。 Lines wrapping around each finger joint and even "bracelet lines" at the wrist. 各々の指の関節の周りを包んでいる線と、 手首の"ブレスレット線"。 The back of the fingers follow this pattern the distal joint can be simplified to a single, straight line. 指の背面もこのパターンを追います。 末梢の関節は一本のまっすぐな線に単純化できます。 The middle joint has a spiral pattern. 真ん中の関節は渦巻き型です。 You can usually find 3 main lines to represent it, a mix of straight and round. 皆さんはそれを表現する三つの主な線を見つけることができます。 直線と曲線の混在です。 You ll see really subtle creases on the proximal knuckles, but nothing serious. 皆さんは近位のナックルにわずかな皺を見ることができますが、 そこまで真剣にならなくてもよいでしょう。 On the palm-side, the distal joint is basically a single, straight crease. 手のひら側では、 遠位の関節は基本的に一本のまっすぐな皺です。 The middle joint has an oval shape, with two round creases. 中心の関節は、卵型で丸みを帯びた皺です。 Try partially bending your fingers and observe how the skin bunches up. 部分的に皆さんの指を曲げ、 どのように皮膚が一団になるか観察してみてください。 It bunches up the most at this middle joint, so there s a double-fold. 皮膚は中心の関節で最も一団になる傾向があります。 よって、そこにおいては二重の折り重なりになります。 You see that same oval design in the proximal joint for the middle and ring fingers, but interestingly, the index and pinky only have a single straight line. 皆さんは、中指と薬指の近位の関節に於いて、 おなじ卵型のデザインを見るでしょう。 しかし、興味深いことに、 人差し指と小指では、まっすぐな一本の線になっています。 Anyway, you don t have to memorize this stuff. ともかく、皆さんはこの事項を覚える必要はありません。 Now that you know what to look for, you can always use your own fingers to refresh your memory. 皆さんは、何を探すべきか理解したはずですので、 皆さん自身の指を使って皆さんの記憶をよみがえらせることができます。 The thumb might have a little variety. 親指については、いくつかの多様性があります。 You ll have one or two creases around the first knuckle. 最初のナックルの周りに、一つもしくは二つの皺があります。 And one or two around the base, called the family ring in palm reading. そして根元に一つもしくは二つの皺があります。 手相ではファミリーリングと呼ばれています。 Perhaps the most famous kind of hand crease, known to predict your future, are the palm folds. おそらく手の皺で元も有名なのは 手のひら側の運命線でしょう。 This curvey one here is called the life line in palm reading. この曲がった皺は、手相では生命線と呼ばれています。 When the thumb opposes the palm, that thumb muscle mass pinches against the palm and we get a crease along its base. 親指が手のひらに対立しているとき、 その親指の筋肉の量感は手のひらに対して押しつぶされ、 その根元に皺が発生します。 These other two folds, the heart and head lines are caused by the fingers flexing to squeeze the palm. これらの二つのその他の皺、 感情線と頭脳線は、手のひらをぎゅっと絞るために 複数の指が屈曲することで起こります。 That s some major pinching action in the skin and fat. これが、皮膚と脂肪に於いてのいくつかの主要な押しつぶす動きです。 There s more room for the skin down here at the hypothenar eminence and a lot less room up at the index finger, so these 3 creases will radiate outward. 小指球の辺りに於いて、 ここの下で皮膚が余っており 人差し指のあたりに於いてはよりあまりは少なく よって、これらの三つの皺(感情、頭脳、生命)は 外側へ放射状に広がるでしょう。 One at the border of the knuckle fat pads, another wrapping around the thumb mass, and one between them. 一つはナックル脂肪パッドの境界線で、 もう一つは親指の量感を包んでおり、 そしてその間の一つです。 You ll see some vertical folds such as the lines of health and fate, but they ll be more subtle than the first 3. 皆さんは、健康線や運命線のようないくつかの垂直のひだを 見るかもしれません。 しかし、それらは最初の三つより微細なものです。 The exact length and curvature of all these lines varies. これらの線の長さや曲がり具合には多様性があります。 You might be missing one; it doesn t mean you don t have a fate if you can t find your fate line. 皆さんにはこれらのうちの一つが欠けていたり するかもしれません。 しかし、もし皆さんが運命線を欠いていたとしても 皆さんが運命を持っていないことを意味するわけではありません。 When you re drawing the hand in motion, instead of focusing on the permanent creases, focus on the folds created by the motion of the pose you re drawing. 皆さんが、動作の最中の手を描くとき、 常に存在する皺に注目する代わりに、 皆さんが描いている姿勢の動作によっておこるひだに注目してください。 !--ここから有料-- !--ここまで-- Skin folds follow the action of the hand, like folds in clothing follow the action of the body. 皮膚のひだは、手の動作に沿います。 あたかも衣服が体の動作に沿うかのようにです。 If you arbitrarily copy lots of little lines or try to draw every palm reading crease, it can crowd and stagnate your hand drawing... もし、皆さんが、気ままにたくさんの細かな線を写し取ったり、 すべての手相の皺を描こうと試みているのなら、 皆さんのドローイングは込み入った活気のないものになるでしょう。 But if you select lines that show the gesture and the force of the hand, or the movement between the fingers, fold lines can make your drawings stronger! しかし、もし皆さんが、ジェスチャーや、 手のフォースもしくは指同士の動きを示す線を選ぶのなら、 ひだの線は皆さんのドローイングを強化することでしょう。 For example, in this drawing I emphasized these creases. 例えば、 このドローイングで、私はこれらの皺を強調しました。 The pinky is abducting away from the rest of the fingers. 小指は、残りの指達から外転して遠ざかっています。 So, the skin is pinching here and stretching here, from the pinky to the other fingers. ですので、皮膚は、ここで押しつぶされ、 ここで小指から他の皮膚に向かって延ばされています。 They echo the gesture of the hand, like action lines in a comic book. それらは手のジェスチャーの反映です。 漫画に於ける動線のようなものです。 If I had focused on just getting the 3 major palm reading lines, it would have detracted from the action. もし私が、単に三つの主要な手相の線を表すことに注目していたのなら、 動作的な魅力を損ねていたでしょう。 You can put other creases in, just keep them secondary and as light as possible. 皆さんはその他の皺を配置することができますが、 可能な限り二次的で軽いものにとどめておきましょう。 Fingernails 爪 Of course, an important detail is the fingernails. もちろん、爪は重要な細部です。 Try to use fingernails to show perspective, orientation, and form of the finger. 爪を、透視図法や、指の方向や、指の形を表すために使ってみましょう。 Don t worry about the literal shape of the nail, unless it s an important element of your character. 皆さんの描こうとしているキャラクターにおいて重要でない限り、 忠実な爪の形について心配しすぎないでください。 How do the fingernails of a lumberjack look compared to a business woman compared to someone who snorts, uh.. charcoal. ええと、木炭を吸う人と比較したビジネスウーマンと比べて、 木こりの指はどう見えるでしょうか？ The shape and length of the nail are telling, as well as nailpolish or dirt. 爪の長さと形は、マニキュアを付けているか汚れているかと同様に 物語を伝えます。 If eyes are the window to the soul, the nails are the other, smaller windows. もし、目が魂の窓なら、 爪は、また別の、小さな窓です。 !--ここから有料-- !--ここまで-- A common mistake is to draw fingernails flat. 良くある間違いは、爪を平たんに描くことです。 They re actually rounded. 爪は丸みを帯びています。 They follow that cylindrical top plane of the rest of the finger. 爪は、指の円筒形のてっぺんの平面の形に沿います。 The nail explains if the finger is coming towards or moving away from the viewer in space, and how much. 爪は、指がこちらに向かっているか、 あるいは離れているのか、どの程度そうなのかを 説明しています。 A nail acts as a natural cross-contour line. 爪は、自然にある等高線としてふるまいます。 Its left-to-right angle also explains how the finger is rotated. 爪の左右の角度は、指がどの程度回転しているかどうかを説明します。 If you ever draw a finger that just looks off somehow, try redrawing the fingernail. 皆さんが、どうにか指に見えるような指を描いていたのなら、 爪を描きなおしてみてください。 It might fix your problem. 問題が解決するかもしれません。 It s a good habit to compare the orientation of the thumb s nail to the rest of the fingers, since the thumb actually faces away from the other fingers. 親指の爪の方向とその他の指の方向を比較するのは良い行動です。 なぜなら、親指は実際にほかの指と向いている方向が違うからです。 It s a common mistake to draw the thumb parallel to the others and flatten out the whole hand. 親指をほかの指と平行にし、手全体を平らにするのは良くある間違いです。 As the thumb reaches across the palm to grab something, it rotates to face the opposite angle of the fingers. 何かを掴むために親指が手のひらを横切るとき、 親指はその他の指と対立するために回旋します。 Now let s study something I know like the back of my hand. さて、私の手の裏までお見せしましょう。 The Back of the Hand 手の甲 The palm side of the hand is very soft; mostly muscle and fat. 手のひら側は大変柔らかいものです。殆ど筋肉と脂肪です。 But the back of the hand is hard. しかし手の甲は固くなっています。 The only muscles visible are around the thumb. 親指の周りに唯一の筋肉が見えています。 In this whole rectangular section you ll see bones, tendons, and veins. この長方形の範囲に於いて見えるのは、 骨と腱と血管です。 Hand veins are irregular, so you can t memorize an exact map like you can with muscles and tendons. 手の血管は不規則ですので、 筋肉や腱のように地図を描いて覚えることはできません。 But there s still a pattern. しかしある程度の規則はあります。 Veins are usually tucked into depressions between bones, so they re in less danger of being squished. 血管は、骨の間のくぼみに押し込まれています。 つぶされる心配が無いようにです。 So on the hand, veins travel between metacarpals. ですので、手に於いて、血管は中手骨の間を走っています。 The basilic vein travels down the ulnar side of the hand and the cephalic vein travels down the other side. 尺側皮静脈は、手の尺骨側を走っており、 橈側皮静脈は、反対側を走っています。 Minor veins pass down the center of the hand. その他の血管は手の中心を走っています。 They cross horizontally towards the knuckles, in this "dorsal venous arch." それらは、この「背側静脈弓(?)」の中を、 ナックルに向かって水平に横切っています。 Avoid drawing too many oblique or horizontal veins proximal to the arch, since veins will mostly be travelling vertically along the metacarpals where it s safe. アーチの近位に、多くの水平もしくは斜めの静脈を描きすぎないようにしましょう。 何故なら静脈は殆どの場合、安全な場所である、中手骨に垂直に沿った場所を走っているからです。 Through the fingers, veins become thinner and narrower. 指を通して、静脈は薄く狭くなります。 They won t pop out as much as the veins on the metacarpals, but they might a little. それらは中手骨において程は飛び出てはいませんが、 少しはあります。 And have some color indication. そしていくらか色に於いて兆候があります。 !--ここから有料-- !--ここまで-- (allluckysevenさんのツイート 手は難しい...そして手の甲、すべての腱と静脈。それらに影を付けるのが 私にとっては難しいです。) Veins have a tube form, but don t make their shadows stand out as much as the shadows that show the primary forms of the hand. 静脈はチューブ状の形状です。 しかし、それらの影を、手の主要な形を示す影ほどには 目立たせないようにしてください。 First of all, veins are going to be flat on younger hands, and you can only see them because of the color. 最初に、静脈は若い人の手では平坦ですので、 色においてしか見ることはないでしょう。 As hands age, veins come to the surface more and will stick out. 老人の手では、静脈はより表面に現れ突き出るでしょう。 But even then, their forms are small and tertiary. しかしたとえそうだとしても それらの形は小さく三次的です。 You don t want to shade chasms right in the middle of your hand; it will break up the form and prevent it from feeling like a cohesive whole. 皆さんは、手の中央の溝を影で覆いたくないでしょう。 そのことは、形を崩れさせ、全体のまとまりがある感じを失わせます。 Create a hierarchy with your values and edges. 色価と境界にヒエラルキーを作ってください。 The primary forms should be the most obvious. 主要な形は最も明らかであるべきです。 The blockiness or roundness of the large forms. ブロック構造や、大まかな丸みを帯びた形です。 Then the secondary forms, like the bones and groups of muscles. そのあとに第二の形です。 骨や筋肉のグループです。 Details like veins are tertiary forms. 静脈のようなものは三次的です。 The tendons you ll see on the back of the hand are from the extrinsic muscles of the hand. 皆さんが手の甲で見る腱は、 手の外来筋から来たものです。 I explained them in the forearms lesson. 私はそれらを前腕のレッスンで説明しました。 There s 4 tendons on the back of the hand that radiate out toward the knuckles. 手の甲には四つの腱があり、それらはナックルに向かって放射状に出ています。 And there s two tendons on the back of the thumb that create that hollow snuff box. そして、親指の背後には二つの腱があり、それは解剖学的嗅ぎ煙草入れを形成します。 Notice how the tendons are not visible at the wrist. 手首に於いては腱は目に見えないことに注目してください。 They start a little bit into the metacarpals because they re surrounded by tendinous sheaths for protection. それらの腱はいくらか中手骨に入ってから始まります。 何故なら、それらは防護のため腱状の膜で覆われているからです。 Then a little farther back in the wrist is the retinaculum. そして、手首背面にあるのは支帯です。 You won t see any individual tendons on the back of the wrist. 皆さんは、手首の手の甲側で腱を個別にを見ることはないでしょう。 To prevent tendons from looking like veins, you can contrast their straightness. 腱が静脈のように見えることを防ぐために、 それらのまっすぐさを際立たせましょう。 Tendons are going to be much straighter in their path from wrist to fingertip. 腱は手首から指先までの通り道に於いて、 幾分まっすぐになっています。 Veins will meander down the hand. 静脈は手を蛇行しています。 Veins also have a slightly darker and cooler local color, whereas tendons will match the skin tone or even be a little lighter. 静脈はまた、幾分暗く冷たい局所的な色をしています。 いっぽう腱はおおよそ皮膚の色、または少し明るい色です。 You know how when you press on your skin, it turns a lighter tone for a second? 皆さんは、皮膚を押したとき、皮膚が一瞬明るい色になることを 知っていますか？ The tendons have a similar effect on the color of the skin when they re popping out and putting pressure on the skin. 腱は、それらが飛び出、皮膚を圧迫するときに、 皮膚の色に於いて同様の効果をもたらします。 In general, I recommend that you focus on the details that help your picture. 概して、 私は皆さんが皆さんの作品を助ける細部に注目することを 推奨します。 If it doesn t serve a purpose, it shouldn t be there. もしその細部が目的にかなっていない場合、 それはそこにあるべきではありません。 And add variety of shape, value, or edge in areas that tend to repeat. 同じことが繰り返す傾向のある場合に於いて、 形、色価、領域の多様性を加えてください。 Tendons, segments of the fingers, positioning of the fingers, wrinkles... 腱、指の分割、指の配置、皺... All these things will look static and boring if they repeat too much. もしそれらが同じものの繰り返しが過ぎると、固く退屈なものになるでしょう。 Let the gesture of the pose guide your decisions as to how to add variety. どのように多様性を加えたかについての皆さんの決定について ポーズのジェスチャーに案内させるようにしましょう。 Variations in Characters キャラクターに於ける多様性 !--ここから有料-- !--ここまで-- In the premium version of this lesson I ll show you how to use all these characteristics to draw young, old, masculine and feminine hands. このレッスンの有料版で、 若い、年老いている、筋肉質、女性的など これらのキャラクター性をどう描くかをお見せします。 Before I leave you, I want to point out that in reality there s a lot of overlap in these characteristics. お別れする前に、 実際にはこれらのキャラクター性について 多くの重なり合いがある事を指摘しておきます。 Some woman can have masculine hands and some men can have feminine hands. ある女性は筋肉質の手を持っているかもしれないし、 ある男性は女性的な手を持っているかもしれません。 These are just guidelines that can help you design your characters. これらは皆さんがキャラクターをデザインするための 単なるガイドラインです。 In the next lesson we re gonna get really hands-on with some drawing demos. 次のレッスンでは、実際に手のドローイングの実演を行います。 I ll show you a drawing process that will make it easier for you to draw hands from reference and even from imagination. 私は、皆さんにドローイングの過程をお見せします。 そのことが、資料から手を描いたり想像から手を描く事を 容易にすることでしょう。 You don t want to miss these new lessons, so go sign up for the proko newsletter at proko.com/subscribe! Assignment 課題 But, let s not get ahead of ourselves. しかし、自分自身を追い抜かないようにしましょう。 Your homework for this lesson is to find your assignment from the hand bones lesson. このレッスンの宿題は、 手の骨のレッスンから皆さんの課題を見つけることです。 If you didn t do the bones assignment... もし皆さんが手の骨の課題を行っていないのなら… With the bone drawings, you already figured out the positioning, proportions, and skeletal forms. 骨のドローイングに於いて、 皆さんはすでに配置、比率、骨の形を理解していることと思います。 Now, you ll draw on top, using a piece of tracing paper traditionally or in a new layer digitally, and turn your drawings into fully-fleshed hands. さて、皆さんはその上に描くわけですが、 伝統的なトレーシングペーパーを使うか、 デジタルでレイヤーを使うか、 そして皆さんのドローイングに肉付けをしてください。 You ll have to add all the muscles you learned in part 1, and all the surface details you learned in this lesson. パート1で学んだ筋肉を付け加え、 このレッスンで学んだすべての細部を付け加えてください。 This exercise will help you connect your understanding of the skeleton with the surface details. この練習は、皆さんの骨についての理解と表面的な詳細を 結びつける助けになるでしょう。 You re inventing this stuff from your imagination, but don t be afraid to look at your own hand, or photos as inspiration. 皆さんはこの課題を想像から描くことになるわけですが、 しかし、皆さん自身の手や写真から発想を得ても構いません。
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